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・ William Edward Wilson (astronomer)
・ William Edward Zeuch
・ William Edwardes
・ William Edwardes, 1st Baron Kensington
・ William Edwardes, 2nd Baron Kensington
・ William Edwardes, 3rd Baron Kensington
・ William Edwardes, 4th Baron Kensington
・ William Edwards
・ William Edwards (architect)
・ William Edwards (cricketer)
・ William Edwards (inventor)
・ William Edwards (politician)
・ William Edwards (school inspector)
・ William Edwards (United States Navy officer)
・ William Edwards (Wisconsin)
William Edwards Cook
・ William Edwards Farmhouse
・ William Edwards Huntington
・ William Edwards School
・ William Edwin Baldwin
・ William Edwin Beckel
・ William Edwin Brooks
・ William Edwin Franklin
・ William Edwin Harvey
・ William Edwin Minshall, Jr.
・ William Edwin Orr
・ William Edwin Pease
・ William Edwin Price
・ William Edwin Rudge
・ William Edwin Safford


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William Edwards Cook : ウィキペディア英語版
William Edwards Cook
William Edwards Cook (August 31, 1881 – November 10, 1959) was an American-born expatriate artist, architectural patron, and long-time friend of American writer Gertrude Stein. Following his 1903 departure from the U.S., Cook resided in Paris, Rome, Russia, and on the island of Majorca, in the Balearic Islands off the eastern coast of Spain. Today he is chiefly remembered not for his artistic achievements, but because, during World War I, he taught Stein to drive an automobile so that she could contribute to the French war effort, and because, in 1926, he commissioned the Swiss architect Le Corbusier (whose career was at an early stage) to design an innovative cubist home, on the outskirts of Paris, now called Maison Cook or Villa Cook.
==Formative years==
Cook grew up in the small community of Independence, Iowa, in the northeast section of the state. In the early 1890s, it was nationally known as a horseracing center, a distinction that earned it the popular name of the Lexington of the North. The son of an Iowa lawyer who also owned a number of farms, Cook left home to study at the Art Institute of Chicago in 1898 and then, shortly after that, at the National Academy of Design in New York. As was customary among aspiring artists, he then moved on to Paris in 1903, where he was a student of animal painter Jean-Paul Laurens and the famous (if much maligned) French academic master, the aging Adolphe-William Bouguereau, at the Académie Julian.

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